![]() ![]() This is what makes suspense writing a challenge. By establishing what’s at stake early, some of the story’s sense of drama can be easily lost because the reader knows important details, such as who, why and when. In doing so, he-and any suspense writer-takes a risk. While a mystery writer plays his cards close to his chest, giving little away to tease the reader, Fleming plays his cards open for all to see. At the beginning of each story, the reader knows who 007 is up against and what deadly plan he has to stop. ![]() ![]() ![]() Think of Ian Fleming’s James Bond novels. For a good suspense story to work, what’s at stake must be stated at the beginning of the story.
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